Mood board for spring

In a perfect world. No, let's go with better, perfection is boring. In a better world I'm sitting in a rattan chair on the patio, feeling the warmth of the sun through the awning. On the table is a stack of books; notebooks next to my cup of coffee and the French press. Supporting my back, a thick, soft cushion with a cover made of any of the patterned textiles in my image above, which I call: My spring mood board with Annie Ernaux and Schuyler Samperton Textiles.

In reality I'm indoors. That harsh light of early spring still lingers and even though buds have bloomed, promising, sunny days suddenly turned colder (today we had hail). Waiting for spring is not my forte. The good news is that one of my current reads, Annie Ernaux's memoir The Years, translated from French by Alison L Strayer, has been shortlisted for The Man Booker International Prize. Apart from being smitten with my copy, a Fitzcarraldo Editions publication, the narrative voice, written in the third person, intrigues me. I don't remember having read a memoir in the third person. It covers the years 1941 to 2006 'told through the lens of memory, impressions past and present, photos, books, songs, radio, television, advertising, and news headlines.' I haven't finished it yet, but I wouldn't hesitate to recommend it. It's rewarding when a book one has wanted to read not only lives up to its expectations but exceeds them.

Magnolia in bloom, Antwerp 2011

We lived in Antwerp when I shot the blooming magnolia above. I cherish the photo - it was my first Belgian spring and I still remember the street corner - but it no longer appears on my old blog. An album connected to it seems to have vanished, which is why I decided to create a new link for the blog, with a slightly different layout. I haven't changed the blog name: I still note down my ideas for blog entries over lunch and latte.

Back to the textiles: Schuyler Samperton Textiles is an American brand my readers should recognise. Schuyler is one of my favourite textile designers. On the blog I have featured many designs from her growing collection. I have been waiting for spring to show you the two designs in my top image. Eden is the design at the top: The pale pink fabric is Eden/Sweet Pea, the pale green is Eden/Meadow. Shalimar is the floral fabric with the white background. The sample with the tag is Shalimar/Mist, a blue and green pattern. Shalimar/Cielo is the blue one. All these are 100% linen fabrics.

Dora Carrington, Farm at Watendlath, 1921

The green palette in the painting Farm at Watendlath by artist Dora Carrington fits my spring mood. In 1921 she spent a summer holiday in the Lake District. The little I know about her life is from the film Carrington (1995), which focuses on her relationship with writer Lytton Strachey, and from descriptions in the volumes I have read of Virginia Woolf's diaries. At first she doesn't seem to have made a favourable impression on Woolf, but in August 1920 the tone in her diary is different: 'Carrington is ardent, robust, scatterbrained, appreciative, a very humble disciple, but with enough character to prevent insipidity' (Vol. 2).

I will be back soon with a new reading list.

images by me | Dora Carrington art via Tate