New books | Summer 2018

Tell me, what is it you plan to do
with your one wild and precious life?

In the past few weeks I have been pondering over these lines by American poet Mary Oliver (from 'The Summer Day', appeared in New and Selected Poems, Vol. One) and still have no answer. Her simple question is thought-provoking, to say the least. I feel as if I haven't quite landed in Germany. Don't get me wrong, I wanted to move back to the Continent - the culture and way of living in this part of Europe suits me better - I just thought by now I would be more settled. I have been looking for a part-time job where I get a chance to improve my spoken German before taking on something more challenging but haven't found anything. A bookshop didn't even reply to my email. How ironic is that? The good news is that our oldest has finished her studies in Scotland. We went on a road trip to pick her up, took a ferry across the Channel from Calais and got to admire the White Cliffs of Dover again.

At this point I have a few drafts lined up but I wanted to end my blog silence with a list of new books. I'm excited about Michael Ondaatje’s novel Warlight, his first in seven years. If you like his work allow me to point out Eleanor Wachtel's recent interview with him for CBC Radio. Her podcast Writers and Company is one of the finest for book lovers.

New books:
· Warlight  by Michael Ondaatje (Vintage). The last book I read by him was Anil's Ghost, and before that, The English Patient. Liked both. You may already have spotted the cover in the blog's sidebar; expect to find it on a reading list in the near future.
· The Beautiful Summer  by Cesare Pavese (Penguin). A coming-of-age story that takes place in Italy in the 1930s. Originally published in 1949.
· The Years  by Annie Ernaux (Fitzcarraldo, translated by Alison L. Strayer). This is the UK edition of her memoir, which has already been published in the US. '[A] masterpiece memoir of French life' reads the title of The Guardian review. I was intrigued and intend to read the book, even though I have never read anything by the author.
· There There  by Tommy Orange (Vintage). One of two debut novels on this list of new books, set in a Native American community in Oakland, California, where the author himself was born and raised. This one is getting a lot of good reviews. Like the cover.

· 100 Books That Changed the World  by Scott Christianson and Colin Salter (Rizzoli). 'A tour of global history by way of history’s most important scrolls, manuscripts, and printed books, from Plato and Homer to the twenty-first century—100 must reads.' A book about books that could be fun to have on the coffee table. This one was published in the spring but I wanted to include it on the list.
· The Collected Stories of Machado de Assis  (Liveright Publishing, translated by Margaret Jull Costa + Robin Patterson). I honestly don't remember having heard of Joaquim Maria Machado de Assis (1839-1908), the greatest Brazilian writer, until reading Parul Sehgal's review in The New York Times. Hanging my head in shame. If you like short stories you will be happy to learn that the collection is 930 pages.
· A Place for Us  by Fatima Farheen Mirza (Vintage). A debut novel about an Indian Muslim family preparing for the wedding of their daughter. Editorial director Sarah Jessica Parker chose the book for her own imprint, SJP for Hogarth. I'm often wary when celebrities endorse something but I know Parker is a keen reader and she has recommended good books in the past. This Guardian Q&A with the author, a Californian of Indian descent, might interest you.
· The Outsider  by Stephen King (Hodder & Stoughton). And finally, a crime novel for the King fans out there.

Café Tölke in the Schnoor quarter of Bremen

In the spring I meant to share images from Bremen on the blog but things got in the way. Summer came early and on a warm Sunday I bicycled into the city centre and went for a stroll in the old Schnoor quarter. It was too sunny for photographing but I snapped this photo that captures the mood at Café Tölke, one of the first cafés I tried when we moved here. A small, charming place that specialises in cakes and pies. Once you have found a table and sit there with your coffee and Apfelstrudel you may get the feeling that as long as it stays open the world is going to be okay. That's the atmosphere of some cafés.

images by me, appeared on Instagram 05/03/2018 and 28/05/2018

№ 11 reading list: Middle Eastern and crime fiction

Sunday morning coffee, a new reading list and Gilead by novelist Marilynne Robinson. Take my word for it, it's an excellent start of the day. July hasn't finished and already I'm presenting a new list, the second in one month. The reason is simple: there were many short books on the last one. The new list has a taste of the Middle East. For years I have wanted to read Palace Walk, the first book in the Cairo trilogy by Egyptian author and Nobel Laureate Naguib Mahfouz. Another first for me is the Israeli author Ayelet Gundar-Goshen. A fellow lover of literature on Instagram recommended her second novel Waking Lions (translated from Hebrew by Sondra Silverston) and gave three reasons: 1) It takes place in Beersheba (Beer-Sheva), which, according to him, is unheard of in Israeli literature. 2) It's the perfect setting for the characters, living on the margins of society. 3) The story sheds some light on racism in Israel; it revolves around Eritrean and Sudanese refugees. I was sold and luckily my library had a copy when I picked up the new novel by Arundhati Roy.

№ 11 reading list:
1  The Ministry of Utmost Happiness  by Arundhati Roy
2  Palace Walk  by Naguib Mahfouz
3  Waking Lions  by Ayelet Gundar-Goshen
4  The Black Prince  by Iris Murdoch
5  Gilead  by Marilynne Robinson
6  So You Don't Get Lost in the Neighbourhood  by Patrick Modiano
7  The Redbreast  by Jo Nesbø
8  Instead of a Letter  by Diana Athill
9  Let's Explore Diabetes with Owls  by David Sedaris

I am still reading Jigsaw by Sybille Bedford that was on my last reading list but I have already finished The Redbreast by the Norwegian Jo Nesbø on the new one. At some point this third book about Detective Harry Hole (the first in the Oslo series) became a page-turner and I couldn't put it down. Crime fiction isn't exactly my go-to genre but occasionally I have read everything available by a particular crime author (mainly the Nordic authors; it all started many years ago with the Icelander Arnaldur Indridason and his Detective Erlendur). Nesbø's Harry Hole is an interesting character and I intend to see what happens in Nemesis, the next book in the series.

I have started reading Sedaris but had to stop reading it before bedtime because my son, who likes to read with me, was unable to concentrate on his book because of my laughing. This is tears-running-down-your-face laughter. I tried to stifle it but it didn't work. Sedaris is, simply put, dangerously funny and I cannot wait to pick up his Diaries. Marilynne Robinson is an author I'm revisiting; I read Home when we lived in Luxembourg. I don't understand why it has taken me so long to pick up Gilead (both books take place in the same period and town, also her work Lila). The prose of Gilead is beautiful; no wonder it brought her the National Book Critics Circle Award and the Pulitzer Prize for Fiction in 2005.

I would like to finish with a quote by author Iris Murdoch (1919-1999) that I have already shared on Instagram and wanted to keep on the blog as well. Asked about her method of composition in an interview that appeared in the summer 1990 issue of The Paris Review, Murdoch replied:

Well, I think it is important to make a plan before you write the first sentence. Some people think one should write, George woke up and knew that something terrible had happened yesterday, and then see what happens. I plan the whole thing in detail before I begin. I have a general scheme and lots of notes. Every chapter is planned. Every conversation is planned. This is, of course, a primary stage, and very frightening because you've committed yourself at this point ... [Moving on to the second stage.] The deep things that the work is about declare themselves and connect. Somehow things fly together and generate other things, and characters invent other characters, as if they were all doing it themselves. (Issue 115, Summer 1990)