The late American photographer Ansel Adams once said: 'You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.' His words apply to any kind of creative art and I used them to start an email conversation with textile designer Lisa Fine. On the blog I have described her as a designer with a sense of history; I stick to my words. She has a knack for colours, for patterns, and it feels as if each fabric by Lisa Fine Textiles tells a story. She was born and raised in Mississippi. Today she lives in New York with her dogs and travels widely, often to India and other exotic places. Miniature paintings have inspired her career, and so has painter Henri Matisse.
Wherever possible, also in direct quotes, I have added links to e.g. short essays on museum websites that I found interesting and educational. Except for the Matisse paintings, all the images were chosen by me.
Wherever possible, also in direct quotes, I have added links to e.g. short essays on museum websites that I found interesting and educational. Except for the Matisse paintings, all the images were chosen by me.
![]() |
| Persian miniature: Mir Sayyid 'Ali, Night-time in a City, c. 1540, Tabriz, Iran, Safavid Period |
To go back to Adams's words, what has left its mark on Lisa Fine (given how much she has discovered through her work and travels).
LF: My life is very much about people, however, books and art not only inspire and teach but are the best refuge.Her other two favourite artists are Kees Van Dongen and Amedeo Modigliani.
My favorite painter is Matisse. I love his mix of color and pattern, especially in his orientalist portraits. Irving & Fine [collaboration with textile designer Carolina Irving] peasant blouses were very much inspired by his work. I also love the Fauvism movement.
![]() |
Henri Matisse, Zorah on the Terrace, 1912
|
She doesn't have a favourite Matisse painting but said: 'I love his Moroccan period most, especially the portraits.' Later I found his work Zorah on the Terrace in my inbox with the words: 'Love Moroccan portraits.' The other two by Matisse followed, the one below with the words: 'Love odalisque series.'




















