Showing posts with label coffee table books. Show all posts
Showing posts with label coffee table books. Show all posts

Sunday, 19 April 2020

Art of Native America: The Charles and Valerie Diker Collection · The Met Museum

The cover of Art of Native America: The Charles and Valerie Diker Collection, published by The Met · Books & Latte


Inspired by my studies, I chose the cover of Art of Native America: The Charles and Valerie Diker Collection (2018) for this first blog entry in weeks. On this term, I took a course called 'Museums and Society: The Circus of Death?' in which we read about indigenous peoples, about museum work in the Native American communities of Hopi and Zuni, to name a few. Apart from reading textbooks and academic articles, I viewed conservation material on various museum websites and through my search I discovered this stunning publication by The Metropolitan Museum of Art. The Charles and Valerie Diker Collection includes objects from more than fifty cultures across North America, spanning the era from before the European settlers to the early 20th century. The book provides insights into the art, culture, and daily life of indigenous communities.

Jacket illustration: a tunic and leggings detail by a Tlingit artist.

Art of Native America: The Charles and Valerie Diker Collection
By Gaylord Torrence with Ned Blackhawk and Sylvia Yount
Hardback, 232 pages, illustrated
ISBN: 9781588396624
Metropolitan Museum of Art


A detail of a man's coat, ca. 1820, Innu (Naskapi), Native American/The Met
A man's coat, ca. 1820, Innu (Naskapi), Native American/The Met

A detail of a man's coat, ca. 1820, Innu (Naskapi), Native American/The Met
Man's coat, ca. 1820, Innu (Naskapi), Native American/The Met

In December when I shared my first book cover entry I honestly thought I could use this category to keep my blog alive during my studies. I have come to realise it's impossible to do so when dealing with endless assignment deadlines on top of getting through the reading material for each lecture. There are periods when it feels as if one hardly comes up for air.

The cover of Museum as Process, edited by Raymond A. Silverman · Lisa Stefan

It has been a strange term because of the coronavirus pandemic. The term is almost over and here in Austria, they have started to loosen the lockdown. Unfortunately, museums are still closed so my hopes of working as an intern this summer are gone. But the good news is that no one close to me has been infected by COVID-19 and I hope the same goes for my blog readers. Stay safe!

bottom image by me, appeared on Instagram 14/01/2020 | Tailored garment via The Met



Wednesday, 8 January 2020

Legacy of the Masters: Painting and Calligraphy from the Islamic World · Will Kwiatkowski

The cover of Legacy of the Masters by Will Kwiatkowski (PHP) · Books & Latte


I am starting the new year on the blog with a book cover that made my design heart beat a little faster. Legacy of the Masters: Painting and Calligraphy from the Islamic World by Will Kwiatkowski was published last October by Paul Holberton Publishing. It contains 75 colour illustrations of paintings, drawings and calligraphy from the Safavid, Uzbek, Ottoman and Mughal Empires from the 16th to early 19th century. This book would grace the coffee table of anyone interested in decorative art and Islamic culture.

Legacy of the Masters: Painting and Calligraphy from the Islamic World
By Will Kwiatkowski
Hardback, 192 pages, illustrated
ISBN: 9781911300731
Paul Holberton Publishing



Friday, 26 April 2019

№ 20 reading list | Lee Krasner exhibition

№ 20 reading list | Lee Krasner: Living Colour exhibition · Lisa Stefan


I am sitting on the patio, under an awning, taking in the spring, the scent of purple and white lilacs from a corner of the garden. One by one, book podcasts are playing on the tablet. Let's take a look at the reading list. Last year a new translation, by poet Michael Hofmann, of the classic Berlin Alexanderplatz by Alfred Döblin was published by New York Review Books. I like their book design and have added many of their titles to my wish list. I never read the old translation and therefore, have no comparison. It's set in the underworld of Berlin, the Weimer Republic in the 1920s, and the book starts when Franz Biberkopf - shall we say the colourful? - is released from prison, determined to turn his life around. The other book I bought for the list is The Years by Annie Ernaux, which I mentioned in my last entry. The others are from the library.

№ 20 reading list:
1  The Years  by Annie Ernaux
2  Berlin Alexanderplatz  by Alfred Döblin
3  The Wife  by Meg Wolitzer
4  The Mexican Night  by Lawrence Ferlinghetti
5  The Garden Party  by Katherine Mansfield
6  It All Adds Up  by Saul Bellow
7  The Diary of Anaïs Nin 1931-1934 

Translated by: 1) The Years: Alison L. Strayer; 2) Berlin Alexanderplatz: Michael Hofmann

It has been years since I read a volume of Anaïs Nin's diaries and it felt soothing somehow to pick up the one on the list, which starts in 1931. For a long time, I have been meaning to read stories by Katherine Mansfield, having been introduced to her work through Virginia Woolf's diaries and letters. The short story collection The Garden Party starts well and the writing style already appeals to me. Mansfield was only 34 when she died and one can only imagine what she could have accomplished as a writer.


Lee Krasner, Desert Moon, 1955. LACMA. © The Pollock-Krasner Foundation · Books & Latte
Lee Krasner, Desert Moon, 1955

This summer I wouldn't mind taking a cultural trip to London, to see the exhibition Lee Krasner: Living Colour in the art gallery of the Barbican Centre, which opens on 30 May. Lee Krasner (1908–1984) was an American artist, born in Brooklyn; a pioneer of abstract expressionism. The catalogue says that her 'energetic work reflects the spirit of possibility in post-war New York' and the exhibition 'tells the story of a formidable artist, whose importance has too often been eclipsed by her marriage to Jackson Pollock.'

This is the first major presentation of Lee Krasner's art in Europe for more than 50 years, organised by the Barbican Centre, London in collaboration with these museums: Schirn Kunsthalle Frankfurt, Zentrum Paul Klee in Bern and Guggenheim Bilbao. Coinciding with the exhibition is the Thames & Hudson publication of Lee Krasner: Living Colour by Eleanor Nairne.

In October, here in Germany, we can enjoy the art of Lee Krasner when the exhibition opens in the museum Schirn Kunsthalle Frankfurt.

Artist Lee Krasner in her studio. Kasmin Gallery, NY. © 2017 The Pollock-Krasner Foundation · Books & Latte
Artist Lee Krasner in her studio

Lee Krasner, Palingenesis, 1971. Kasmin Gallery, NY. © The Pollock-Krasner Foundation · Books & Latte
Lee Krasner, Palingenesis, 1971

top image by me | Lee Krasner paintings via Barbican Centre: 1) LACMA (Los Angeles County Museum of Art) 2) Kasmin Gallery, NY | Krasner in her studio: Kasmin Gallery via Artsy. © The Pollock-Krasner Foundation.



Sunday, 31 December 2017

New books | Happy New Year

My coffee table | Happy New Year · Lisa Stefan


On this last day of the year I'm sitting at the computer with a patterned turban on my head, a glass of Christmas beer, and tortilla chips in a bowl; the steak is slow-roasting in the oven, my gang is watching The Hobbit, and I have nothing better to do than blogging about new books. I wanted to share this entry earlier in December but I never found the time to finish it. At Christmas it kept popping up in my mind and since most of these works, fiction and coffee tables books, were published in 2017, I thought it best to share the list before the new year. To save time I skip commenting on each book because all the links, apart from one, lead to the website of Book Depository, where you will find a short intro. I would like to read all the books that appear on the list above the thumbnails, so chances are high that you will one day find them on a reading list on the blog. I wish you a peaceful New Year.

New books:
· Spy of the First Person  by Sam Shepard (Knopf). The final work before his death in July this year.
· Debriefing: Collected Stories  by Susan Sontag (FSG). Edited by Benjamin Taylor.
· Sing, Unburied, Sing  by Jesmyn Ward (Bloomsbury). Winner of The National Book Award 2017.
· The Origin of Others  by Toni Morrison (Harvard UP).
· In Search of Ancient North Africa: A History in Six Lives  by Barnaby Rogerson (Haus Publishing).
· The Rub of Time  by Martin Amis (Random House).
· Philip Roth: Why Write? Collected Nonfiction 1960-2013  by Philip Roth (Library of America).


· Persian Art: Collecting the Arts of Iran for the V&A  by Moya Carey (V&A).
· Modern Art in Detail: 75 Masterpieces  by Susie Hodge (Thames & Hudson).
· Henri Cartier-Bresson: The Decisive Moment  by Henri Cartier-Bresson (Steidl). Originally published in 1952, embellished with a collage cover by Henri Matisse.
The Atlas of Beauty: Women of the World in 500 Portraits  by Mihaela Noroc (Penguin).
· Morris  by Charlotte and Peter Fiell (Taschen). Richly illustrated book about the life and work of the designer William Morris (1834-1896).
· Map Cities: Histoires de cartes  by Francisca Mattéoli (Chêne). Currently available in French only but here is hoping for an English translation. I have already featured Map Stories by Mattéoli on the blog.
· Haute Bohemians  by Miguel Flores-Vianna (Vendome Press).

From Haute Bohemians by Miguel Flores-Vianna, pp. 80-81, Vendome Press



Monday, 10 April 2017

A talk with textile designer Lisa Fine

A talk with textile designer Lisa Fine · Lisa Stefan


The late American photographer Ansel Adams once said: 'You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.' His words apply to any kind of creative art and I used them to start an email conversation with textile designer Lisa Fine. On the blog I have described her as a designer with a sense of history; I stick to my words. She has a knack for colours, for patterns, and it feels as if each fabric by Lisa Fine Textiles tells a story. She was born and raised in Mississippi. Today she lives in New York with her dogs and travels widely, often to India and other exotic places. Miniature paintings have inspired her career, and so has painter Henri Matisse.

Wherever possible, also in direct quotes, I have added links to e.g. short essays on museum websites that I found interesting and educational. Except for the Matisse paintings, all the images were chosen by me.

[Fabrics by Lisa Fine Textiles shown in my top image (click each for info): Cairo, Kashgar,
Luxor, Malabar, Malula, Mandalay, Pasha, and Rajkot. For books, see further below]

Persian miniature: Mir Sayyid 'Ali, Night-time in a City, c. 1540, Tabriz, Iran, Safavid Period · Books & Latte
Persian miniature: Mir Sayyid 'Ali, Night-time in a City, c. 1540, Tabriz, Iran, Safavid Period

To go back to Adams's words, what has left its mark on Lisa Fine (given how much she has discovered through her work and travels).
LF: My life is very much about people, however, books and art not only inspire and teach but are the best refuge.

My favorite painter is Matisse. I love his mix of color and pattern, especially in his orientalist portraits. Irving & Fine [collaboration with textile designer Carolina Irving] peasant blouses were very much inspired by his work. I also love the Fauvism movement.
Her other two favourite artists are Kees Van Dongen and Amedeo Modigliani.

Henri Matisse, Zorah on the Terrace, 1912 · Books & Latte
Henri Matisse, Zorah on the Terrace, 1912

She doesn't have a favourite Matisse painting but said: 'I love his Moroccan period most, especially the portraits.' Later I found his work Zorah on the Terrace in my inbox with the words: 'Love Moroccan portraits.' The other two by Matisse followed, the one below with the words: 'Love odalisque series.'

Thursday, 2 February 2017

Map Stories by Francisca Mattéoli

The cover of Map Stories by Francisca Mattéoli (book review) · Lisa Stefan


Remember your first world atlas, your very own? Apart from images of the globe, the cover of mine was black with white letters. I was ten or eleven years old and devoured it. Maps have a strange attraction and seem to offer a possibility of great adventures. I have always had a soft spot for vintage maps, especially the illustrated ones that are far-off geographically. Throw in sea monsters and sailing ships and they become even more enchanting. You can only imagine my excitement when a few months ago I received the latest book by travel writer Francisca Mattéoli, Map Stories: The Art of Discovery, published by Octopus (Ilex). Through a wonderful collection of historical maps and twenty-three stories, Mattéoli takes us on an adventure all over the globe where we meet cartographers, geographers, explorers and dreamers. For me it sometimes felt as if entering a dimension where Bilbo Baggins meets Indiana Jones.

Map of the Nile Valley drawn up by Nicolas de Fer and published in 1720, pp. 44-45

Mattéoli isn't a scholar in the field of geography and her book shouldn't be read as a textbook. In the preface she writes: 'It is a book that invites the reader on a journey from map to map, to let their imagination run free' (p. 7). That's indeed the book's charm.

Mattéoli's journey starts with the rediscovery of the lost city of Petra and ends in China via the Silk Road. In between we find ourselves on the Inca trail, on the mysterious site of Machu Picchu; racing to the South Pole; on Route 66; searching for the source of the Nile River; on board the Orient Express; perhaps wondering if Nessie the monster is hiding somewhere in Loch Ness. These are only some of the destinations.

Map Stories by Francisca Mattéoli · Lisa Stefan
Planisphere by the Venetian monk Fra Mauro, c. 1449, pp. 100-101

Depending on your interests and historical knowledge, some of the twenty-three stories will be more familiar than others and some might teach you something new. I was intrigued by the one about the search for the source of the Nile River - the expedition of Richard Burton and John Speke - that reads somewhat like a mystery with a dramatic ending. The following is a description (from a photo) of the Map Room of the Royal Geographical Society:
[It] is plunged in a dusty half-light and decorated with maps, as one might expect. An enormous terrestrial globe fills one corner. On the upper floor, dark wood shelves are stacked with carefully arranged documents and books. On the ground floor, two large display cabinets protect the most precious objects and on a long table standing in the center of the room, pages lie spread out as if waiting to be consulted by some very serious gentleman. This was the setting that would soon be at the heart of the scandal. It was here, or at least in a similar room of this distinguished institution founded in 1830 that, around a hundred years ago, a disagreement broke out regarding the source of this fabled river, which would soon turn into a downright controversy and then a brutal confrontation. (p. 42)

Map of the South Pole, 1912, pp. 120-121

Some of the adventurers we meet on Mattéoli's journey are Thomas Edward Lawrence, better known as Lawrence of Arabia, Roald Amundsen, the Norwegian explorer who was the first to reach the South Pole, and Peter Fleming (brother of Ian Fleming), who in 1932 joined an Amazon expedition after seeing an advertisement in The Times (his book Brazilian Adventure, first published in 1933, is still in print).

Map Stories enables us to admire the work of famous cartographers like Fra Mauro (see my 2nd image above), Fernão (Fernando) Vaz Dourado, Nicolas de Fer (see Nile Valley map above), Willem Blaeu and his son Joan, Martin Behaim, Pedro Reinel and Lopo Homem, Jodocus Hondius, Guillaume Le Testu, and John Speed, just to name a few.

This book has something for everyone. And if you find yourself online looking up old travel trunks, or other vintage travel paraphernalia, I completely understand.

Map of Chile, 1884, p. 157

I am particularly fond of the design of the book that is a beautiful addition to my coffee table. The map on the cover is embossed and the endpapers are an old world map with illustrations of principal mountains and basins of rivers (see map). The layout of the text is clear and at the top of the left pages are the coordinates for the place being discussed. The maps are either on a single page or spread across two. I wanted to cut some of them out and frame them, which, unfortunately, would have ruined the book.

Travel writer Francisca Mattéoli
Travel writer Francisca Mattéoli is the author of many books, which have been translated into many languages. She has also written travel pieces for magazines, including National Geographic, Condé Nast Traveller, and Air France Magazine. Her personal blog is written in both French and English. She resides in Paris but was actually brought up in South America with Chilean nationality (Scottish mother). She is already working on her next book.

Map Stories: The Art of Discovery
By Francisca Mattéoli
Octopus
Hardcover, 176 pages, illustrated
Buy here


Map Stories by Francisca Mattéoli · Lisa Stefan
Part of a map of Europe for use in primary education, dating from 1880, p. 143

images by me | except for No. 2, 4-6, courtesy of Octopus Publishing Group (No. 5 edited by me) | maps - credit: No. 1 (cover) © akg-images/North Wind Picture Archives; No. 2, 4-5, 7 © Bibliothèque Nationale de France; No. 3 © akg-images/British Library



Friday, 20 January 2017

Coffee table books: Bitten by Witch Fever

Coffee table books: Bitten by Witch Fever & Hokusai · Lisa Stefan


Recently I mentioned that I had a few coffee table books in sight. Some of them have already been published; others will soon be or in the spring, like Hokusai: Beyond the Great Wave. On the list below is one that I'm currently reading with great interest, Lucinda Hawksley's book Bitten by Witch Fever: Wallpaper & Arsenic in the Victorian Home, a Christmas gift from a friend. It presents 275 facsimile samples of wallpaper designs that have all been tested positively for arsenic content.

For some time I have wanted to see a new art book on my coffee table and I believe I have found the right one, Hokusai: Beyond the Great Wave. The book features 300 illustrations of works by the great Japanese artist Katsushika Hokusai (1760–1849), created during the last thirty years of his life. Its publication (early May) coincides with an exhibition that opens at the British Museum on the 25th of May, and closes in August. How I would love to travel to London to see it and spend a few days in the Bloomsbury area.

Katsushika Hokusai's, Clear day with a southern breeze (Red Fuji), 1831 · Books & Latte
Katsushika Hokusai's, Clear day with a southern breeze (Red Fuji), 1831

Let us take a look at the list of the coffee table books I'm interested in, in random order with a comment on each (you may already have spotted some in the blog's sidebar):


· The Japanese House: Architecture and Life: 1945 to 2017  by Pippo Ciorra and Florence Ostende (Marsilio). If architecture is your thing this book is a comprehensive study of Japanese architecture since the Second World War.
· The Long Life of Design in Italy: B&B Italia. 50 Years and Beyond  by Stefano Casciani (Skira). In 1966, Piero Ambrogio Busnelli established the Italian furniture company B&B Italia and now we are able to enjoy its story in a beautiful book (see a short video on their website).
· Blumarine: Anna Molinari by Elena Loewenthal, edited by Maria Luisa Frisa (Rizzoli). The Queen of Roses, designer Anna Molinari of the Italian fashion house Blumarine has many fans. I believe fashion design enthusiasts are waiting for the publication of this one, which contains photographs by the likes of Helmut Newton, Tim Walker, Albert Watson, and Craig McDean. I think I would buy it for the cover alone!
· Adobe Houses: House of Sun and Earth  by Kathryn Masson (Rizzoli). I would really like to get my hands on this book that presents twenty-three Californian homes, showing both interiors and gardens. Adobe houses with whitewashed walls and exposed beams ... yes please.
· Art House: The Collaboration of Chara Schreyer & Gary Hutton by Alisa Carroll (Assouline). A visual feast: five residences designed to house 600 works of art, a collaboration of art collector Schreyer with interior designer Hutton.
· Flourish: Stunning Arrangements with Flowers and Foliage by Willow Crossley (Kyle Books). If you are looking for a new decorative style for your home by using flowers I'm sure Willow Crossley's new book will inspire you, and Emma Mitchell's beautiful photography.
· Around That Time: Horst at Home in Vogue by Valentine Lawford and Ivan Shaw (Abrams Books). I still haven't found this one in a bookshop, I have only seen magazine features (one spotted in my bottom image). It contains, among others, photographs by Horst P. Horst that appeared in Vogue's Book of Houses, Gardens, People from 1968 (his partner Valentine Lawford wrote the text). The foreword is written by Vogue's Hamish Bowles. Here is a sneak peek.
· Bitten by Witch Fever: Wallpaper & Arsenic in the Victorian Home by Lucinda Hawksley (Thames & Hudson, published in association with The National Archives). The aforementioned book that presents 275 facsimile samples of wallpaper designs, including e.g. Corbière, Son & Brindle, Christopher Dresser and Morris & Co. (See more below.)
· Hokusai: Beyond the Great Wave by Timothy Clark, Shugo Asano and Roger Keyes (Thames & Hudson). The aforementioned book about the Japanese influential master Katsushika Hokusai that features artworks he created during his last thirty years. It also gives his daughter Eijo (Ōi) a due attention, an artist of the late 19th century Edo period. The publication coincides with a British Museum exhibition opening in May.

A detail of Hokusai's, The poet Rihaku lost in wonder at the majesty of the great waterfall
A detail of Hokusai's, The poet Rihaku lost in wonder at the majesty of the great waterfall

I had to include these two Hokusai's woodblock pieces in this blog entry. His career spanned over seven decades but most people are familiar with his later work. The blue colour, or the Prussian blue, as it has been called, has always fascinated me and drawn me to his art.

For those interested in viewing more pieces by Hokusai (or any other artist) there is a wonderful selection of his artworks on Artsy and an editorial piece containing some fun facts. Artsy is a website I only recently added to my bookmarks and which instantly became a favourite (they also have a podcast). Artsy's mission is to make all the world’s art accessible to anyone with an Internet connection.

'Blue Bird Amongst the Strawberries', a pattern by Charles F. A. Voysey, recalls William Morris's
well-known 'Strawberry Thief' of 1883. From the book Bitten by Witch Fever, p. 131

By reading Bitten by Witch Fever: Wallpaper & Arsenic in the Victorian Home, which I haven't finished, I have realised that I was blissfully unaware that poisonous pigments were used in wallpaper design without being considered dangerous (it was Carl Wilhelm Scheele who in 1775 used arsenic to create a green pigment, Scheele's Green, that became popular and was used e.g. to create a vibrant colour for wallpapers):
Many dismissed as ludicrous the doctors who held that the wallpapers were poisonous, including English wallpaper designer William Morris, who stated that they 'were bitten as people were bitten by the witch fever'. (p. 7)
I had to leaf through the final chapter to learn that the first arsenic-free wallpapers weren't produced in Britain until 1859, with 'little public recognition'. By the 1870s, Morris & Co. finally 'bent to public pressure' and then it became 'big news' (p. 226). This book is indeed interesting, not to mention beautifully designed: There are seven short chapters - they look like brochures - in between pages of colour coded plates that show the wallpapers tested for arsenic content.

Coffee table books: Bitten by Witch Fever · Lisa Stefan
Pale green. Corbière, Son & Brindle, London, UK, 1879. From the book
Bitten by Witch Fever, Plates V, p. 141

images by me | Katsushika Hokusai art via: 1. The British Museum, 2. Thames & Hudson Spring 2017 Catalogue