Showing posts with label plays. Show all posts
Showing posts with label plays. Show all posts

Sunday, 20 June 2021

№ 27 reading list: Erpenbeck, Stepanova and Roth

My № 27 reading list includes works by Erpenbeck and Stepanova, and Philip Roth's biography · Lisa Stefan


In an April blog entry, I promised a new reading list after finishing the third volume of Simone de Beauvoir's autobiography. I broke that promise because shortly after I was offered an unexpected assignment. Despite being busy, I have maintained a good reading routine that begins in the very early hours with my cup of coffee: I have finished Jenny Erpenbeck's book, I'm more than halfway through both Maria Stepanova and Philip Roth's biography, and I have started the others on the list. Two years ago The Years by Annie Ernaux became one of my all-time favourites and recently when I gave a friend a copy, I knew I had to reread it.

№ 27 reading list:

1  Philip Roth: The Biography  · Blake Bailey
2  In Memory of Memory  · Maria Stepanova
3  Not a Novel: Collected Writings and Reflections  · Jenny Erpenbeck
4  The Radetzky March  · Joseph Roth
5  Heldenplatz  · Thomas Bernhard [German]
6  Himnaríki og helvíti  · Jón Kalman Stefánsson [Icelandic]
7  The Years  · Annie Ernaux [rereading]

Translated by: 2) In Memory of Memory: Sasha Dugdale; 3) Not a Novel: Kurt Beals;
4) The Radetzky March: Joachim Neugroschel; 7) The Years: Alison L. Strayer

If you follow books news you must have read about the fate of the much-anticipated biography of Philip Roth. Following sexual assault claims against its author Bailey, the publisher, W. W Norton & Company, first halted the shipping of the book and eventually pulled it (Bailey, who has not been convicted in a court of law, has already found a new publisher). I pre-ordered the book long before this happened and believe I would have ordered it anyway, as I'm fully capable of separating the art from the artist. The book is well researched and written (Roth handpicked Bailey to write it) but I do admit that my mind sometimes goes Why do I need to know this? when I come across details of Roth's sexual encounters.

Not a Novel was my first by Erpenbeck, who is one of the major contemporary novelists in Germany. It's an English translation of her non-fiction, but not a complete one: it only contains a fragment of the original, Kein Roman, which is twice as long. I enjoyed the reading but parts felt slightly repetitive and after finishing I was left with this sense of a gap. I don't believe this shorter English edition does justice to the original and once my German improves I will definitely read the latter.

The cover of Philip Roth: The Biography by Blake Bailey (W. W. Norton) · Lisa Stefan
The cover of Philip Roth: The Biography by the now-infamous Blake Bailey

Five years have passed since I shared my first reading list. As I select the books carefully, there have been few disappointments. On my last list was a short essay collection by Vivian Gornick that I cannot recommend: Unfinished Business: Notes of a Chronic Re-reader. The introduction appealed to me, and probably raised my expectations, but as I read on it became clear that Gornick and I are very different readers. She is character-oriented and seems very occupied with failed fictional relationships. Her approach tested my patience. A certain paradox revealed itself to me: Gornick is an active feminist but the tone of voice in these essays didn't give me the sense of a strong woman. There was one piece I liked, about the Italian writer Natalia Ginzburg, who is still on my TBR (list of to-be-reads). On that list are still a few Gornicks but honestly, I now feel little desire to prioritise them.

Peonies and a stack of book on my desk · Lisa Stefan


The COVID-19 lockdown in Austria has finally been lifted after constant extensions since last autumn. We still have to wear FFP2 masks and there are some restrictions, e.g. a negative test or a vaccination certificate is needed to enter cafés and restaurants. I got my first vaccination dose recently and get the second one in a few weeks and will then be able to get my latte fix whenever I want. That's all I ask for. Until then life continues to be rather lockdowny - I may have coined a word.

images mine, the 2nd and 3rd appeared on Instagram 22/04/21 and 15/06/21



Friday, 26 March 2021

Playwright Thomas Bernhard and white Austria

The cover of 'Heldenplatz' by playwright Thomas Bernhard · Lisa Stefan



If you follow me on Instagram you know that I usually don't write long captions, nor do I copy nor share them on the blog. Sometimes I use the same pics. Yesterday, however, I wrote about my experience in Austria and would like to keep these reflections on the blog. You can look at this as a peek into my next reading list, which includes the play Heldenplatz by the Austrian writer Thomas Bernhard. I will probably write about it later, in a Reading journal entry. That said, here is yesterday's caption with added links:

Thomas Bernhard (1931-1989) is an Austrian novelist and playwright that I still haven't read. For my next reading list, I bought a Suhrkamp edition of his play Heldenplatz, which he wrote on the 50th anniversary of the 'Anschluss', the annexation of Austria by Hitler's Germany [the Anschluss took place on 12 March 1938]. Anti-Semitism is the play's major theme.

Austria is my adopted country and I believe literature is one of the best ways to learn about the history and culture of a nation. By that, I'm referring to the things the history books usually leave out. Most of my time in Austria has been spent in this pandemic, which has limited my chances to be out and about; to meet people.

The Austrians I have met are all very friendly. However, what I cannot help noticing is that in magazines this country is depicted as White. Whether it's done intentionally, I cannot say. As I'm white, I have no experience of racism, but I have sat in waiting rooms and leafed through Austrian magazines, which present an idyllic view of a rich country with beautiful landscapes and white people. Lots of white people. I have searched and counted: In one magazine I found a group photo with one Asian woman and in another a small one with a black man. I wonder if the Austrians themselves even notice this.

Anyway, Bernhard's play, which some Austrians found hard to swallow, is one way for me to practise my German during the pandemic.

(Bloomsbury has published an English translation of the play Heldenplatz by Meredith Oakes.)

Adding to yesterday's reflections, I do realise that Austrians are in the majority, about 80%, but in light of history and increased immigration, I would have expected growing awareness. I have lived in several European countries and perhaps there I didn't notice this white image in magazines. Yet, I don't think so. I don't remember this kind of evident whiteness. By the way, I found an interesting article from 2018 on the website of The Irish Times, called Vienna is ranked world’s ‘most liveable city’, but for whom? (with the subtitle: For some of my immigrant friends here, the welcome has been far from warm). It focuses on the situation in Vienna and its author paints a completely different picture than a white one, of a multinational community to which the magazines I have leafed through do not seem to make an attempt to appeal.

Well, spring has sprung with sun and seventeen degrees so there is no reason to complain about the Austrian weather.

image by me, appeared on Instagram 25/03/21



Friday, 10 January 2020

Reading journal: Whitehead, Baldwin & Brecht

Coffee and Brecht; notes from my reading journal · Lisa Stefan


School has started and I'm easing into the term, still taking moments every day to read the books on my latest reading list before the workload increases and deadlines take over. I have finished Patti Smith's Year of the Monkey which, for me, never quite took off, if we can use that phrase for a melancholy memoir that is partly about loss. The presence of the late Sam Shepard on the pages saves it. I'm a fan of Patti's writing, of her 'writing about nothing', as she explains in the book M Train, but here something is missing. The book has been praised but descriptions of dreams and diner food just didn't work for me. I wish she had waited and written about her trip to Australia the year after (among the many photos in the book is one she took of Uluru/Ayers Rock), but then the book would have had a different title.

Let us move on to the reading journal, the last entry for the 2017 reading lists. I know, I know, we have been through this.

Reading journal, № 13 reading list, 3 of 4:

· The Underground Railroad by Colson Whitehead. This novel won both the 2017 Pulitzer Prize and the 2016 National Book Award for fiction, and in 2016 it was Oprah's Book Club pick. Perhaps this has done it some disservice because readers probably expect a literary masterpiece. Despite the grave subject matter, slavery, it's very readable, and I find my mind going back to it. To the story itself, not its characters. My only quibble over the novel was the characterisation, which I didn't find particularly strong. The main character, Cora, didn't make a great impression on me but what has stayed with me is that her story is the story of too many. The title refers to the network of secret routes to help slaves escape to the free states. However, Whitehead uses magical realism and gives it a physical form, which I thought would bother me, but didn't. I haven't read any of his other books but intend to, definitely. He's a good storyteller.

· Giovanni's Room by James Baldwin. I wanted to like this book more than I did. Don't get me wrong, I liked it but I didn't love it. The Giovanni character annoyed me (although I did sympathise with him in the end) and I didn't believe that someone like David would fall for someone like Giovanni. This scene, though, has stayed with me, the night they meet at a bar in 1950s Paris:
And he took his round metal tray and moved out into the crowd. I watched him as he moved. And then I watched their faces, watching him. And then I was afraid. I knew that they were watching, had been watching both of us. They knew that they had witnessed a beginning and now they would not cease to watch until they saw the end.
This was my second book by Baldwin (I have since read more) but the first one I read, Another Country, remains my favourite.

· Der Gute Mensch von Sezuan by Bertolt Brecht. This play was the first German text I read after the move to Germany in 2017, an attempt to reclaim some of my vocabulary (there was a time when I read novels in German effortlessly). I didn't get every word but I got the meaning and enjoyed the play, which is set in China. It's a parable play about three gods that come down to earth to find one good person. The prostitute Shen Te is the only person who takes them in when they need a place to stay. Consequently, she gives up her profession and buys a tobacco shop for money they give her. Trying to be good in a corrupt world becomes difficult and she invents an alter ego, her cousin Shui Ta, to be able to run her business. In 1933 Brecht left Nazi Germany and this is one of the many plays he wrote in exile during World War II. His next play on my list is Mutter Courage und ihre Kinder (Mother Courage and Her Children).

image by me, appeared on Instagram 11/11/2017



Tuesday, 11 June 2019

№ 21 reading list: essays by Zambra

№ 21 reading list: Alejandro Zambra, Grace Paley, Virginia Woolf, Anna Burns · Lisa Stefan


Well, it's time for the summer's first reading list. In keeping with tradition, it has an essay collection, Not to Read by Chilean writer Alejandro Zambra (No Leer in Spanish). In the opening essay he, as a kid, admits to watching Madame Bovary (1949) for an exam instead of finishing the book. Next to a red F his teacher wrote: 'Vincente Minnelli!!' These short essays are the book lovers' treat. I meant to include a novel I had started reading, The Friend by Sigrid Nunez which won the 2018 National Book Award. I found it interesting, especially the literary references (the narrator is a writer), but then I got bored of the writing style and I didn't finish it. It's therapeutic to reread something good after a disappointing read; I chose The Seagull by the Russian playwright Anton Chekhov.

№ 21 reading list:
1  Not to Read  by Alejandro Zambra
2  The Collected Stories of Grace Paley 
3  Milkman  by Anna Burns
4  Disgrace  by J. M. Coetzee
5  The Voyage Out  by Virginia Woolf
6  Journal of Katherine Mansfield  ed. by John Middleton Murry
7  The Seagull  by Anton Chekhov

Translated by: 1) Not to Read: Megan McDowell; 7) The Seagull: Laurence Senelick

Those who follow my blog know that Virginia Woolf is one of my favourites. The Bremen University Library has old editions of all her works by Hogarth Press, which she founded with her husband Leonard. They are attractively green hardbacks and initially, I borrowed The Voyage Out, her first novel, just to leaf through it. It's not my favourite book by Woolf but I couldn't resist the temptation and decided to read it again.
№ 21 reading list: Alejandro Zambra, Grace Paley, Virginia Woolf, Anna Burns · Lisa Stefan


Sometimes, I have to admit, I do miss my old way of blogging, when I collected images of interiors in folders and couldn't wait to share them. As you may have noticed, I sometimes use images of paintings in my blog posts, but this time I decided to add two spaces in the Chelsea home of artist Sarah Graham, featured in House & Garden UK. These artistic corners - that glimpse of the coffee table and the bookshelf by with window - spoke to my inner interior enthusiast. Elegant and tasteful.

Chelsea home of artist Sarah Graham. House & Garden UK · Greg Funnell | Books & Latte
Chelsea home of artist Sarah Graham. House & Garden UK · Greg Funnell | Books & Latte

Chelsea home of artist Sarah Graham. House & Garden UK

images by me | credit: House & Garden UK · Greg Funnell



Sunday, 24 December 2017

№ 13 reading list | Happy Holidays

№ 13 reading list | Happy Holidays · Lisa Stefan


Earlier this week, I promised to share a short reading list - this one is № 13 - before the holidays (I snapped the photo a couple of days ago between the gift-wrapping; you should see how much the hyacinths have grown since then!). At this moment, I'm enjoying a coffee break while leafing through the latest issue, January 2018, of The World of Interiors, which our oldest brought me from the UK. Tonight and tomorrow's desserts are ready and soon we will start preparing our Christmas Eve feast. The Nordic tradition is to celebrate Christmas on this day with a fancy meal, following the opening of presents.

№ 13 reading list:
1  The Underground Railroad  by Colson Whitehead
2  Giovanni's Room  by James Baldwin
3  Der Gute Mensch von Sezuan  by Bertolt Brecht [German]
4  Jane Eyre  by Charlotte Brontë

Last summer I bought a copy of Giovanni's Room by James Baldwin and I have been waiting for a more quiet time to read it. If my last blog post escaped you, he has become my new favourite author. Over the holidays, I have made it a habit to reread one classic and this year I chose Jane Eyre. It's been years since I read it and last Christmas I got this beautiful Penguin clothbound edition. It's been staring at me for a year and I swear I can sometimes hear it whisper, Read me!  The other two you may have spotted on Instagram already; Whitehead was part of a book gift from a dear friend in Iceland and the play by Brecht was the first book I bought in German after the move (here is a Bloomsbury edition in English, The Good Person of Szechwan, translated by John Willett). I'm already reading it, but slowly. Very slowly. It's my way to try to reclaim my German vocabulary.

I wish you all Merry Christmas and a Happy New Year!



Friday, 17 June 2016

№ 2 reading list: bookshelf styling

№ 2 reading list: bookshelf styling · Lisa Stefan


I have a bookshelf crush. Not my first. The July issue of Elle Decoration UK has a feature that has had me swooning just a little with my coffee, a home in LA that has so many right touches ('House on the Hills', photographed by Stephanie Bjelkstam). The open shelves in the living room display an uncluttered mix of books and decorative objects; books arranged both vertically and horizontally, adding visual interest. The shelves seem to breathe and echo the rug on the floor. Beautifully done. These days I'm reading a few books and soon I will be reviewing one of them on the blog: Decorative Textiles from Arab and Islamic Cultures: Selections from the Al Lulwa Collection. That Egyptian cotton appliqué to the left is a little preview.

My summer reading list is ready (I should probably call it my early summer reading list) and consists of plays and autobiographical writing. Recently I returned playwright Arthur Miller's memoir Timebends (wonderfully written, highly recommend it) to the library and picked up two of his plays. On the same day I was browsing online for works by Virginia Woolf and was lucky to find two used copies (vol. 3 of her diary has arrived and looks like new - love it). Here is my list:

1  All My Sons  by Arthur Miller
2  Death of a Salesman  by Arthur Miller
3  Off the Road: Twenty Years with Cassady, Kerouac and Ginsberg  by
Carolyn Cassady
4  The Diary of Virginia Woolf - Volume 3: 1925-1930  edited by Anne
Olivier Bell
5  The Letters of Virginia Woolf - Volume II: 1912-1922  edited by Nigel
Nicolson and Joanne Trautmann)
6  Testament of Youth: An Autobiographical Study of the Years 1900-1925 
by Vera Brittain

Some people would perhaps call this a bit heavy reading in summertime but I'm just not one of those readers who pick up a stack of quick-reads at the local bookshop. My children were making fun of me recently, saying that I read weird books. I'm trying to remember the exact phrase one of them used, 'English upper-class snob literature' or something like that. It cracked me up.


On a more personal note: It's the National Day of Iceland and my husband and I celebrate our 18th wedding anniversary. It's also Friday pizza day but he's abroad for work. The children and I are going for French cheese, baguette and grapes ... and chocolate. Have a wonderful weekend!

images by me | credit - top photo: Elle Decoration UK, July 2016, p. 116 · Stephanie Bjelkstam