Books and coffee | Happy New Year

Happy New Year! I hope you enjoyed a relaxing holiday season and that 2017 will send good things your way. In this house we're still in holiday mode, without the festive food. Packed after New Year's, one of the kids suggested a menu of apples and carrots this week, which I found a wee bit extreme, as the Scots would say. We spent Christmas at home with occasional walks to the Waterstones bookshop and café. Browsing sufficed because there were plenty of books under the tree. Remember about a month ago when I mentioned rereading Little Women if I had the Penguin clothbound edition? Guess what, my husband gave me the book and two other classics. These editions are so beautiful. I haven't finished the books on my last reading list but I read Louisa May Alcott into the new year. These days I'm noting down ideas for my next list and after our library visit on Wednesday some are just waiting to be read. To give you a hint: On my table you can spot The Golden Notebook by Doris Lessing. I will reveal the list later.

In December I watched some TV (by that I mean catching up with the BBC iPlayer - I don't watch TV, I read). I loved Maggie Smith and Alex Jennings in The Lady in the Van (2015). How Alan Bennett put up with Mrs Shepherd for fifteen years is beyond my kin. On BBC there was a documentary, Alan Bennett's Diaries (2016), by Adam Low that I enjoyed. I'm thinking about reading Bennett's diaries after viewing his latest volume, Keeping On Keeping On, in a bookshop. And oh yes, I was in awe of BBC2's adaptation of Zadie Smith's NW, directed by Saul Dibb, screenplay by Rachel Bennette, which I watched after finishing the book. The cast was fantastic and Nikki Amuka-Bird better receive an award for her role as Natalie/Keisha Blake. She was extraordinary. My only disappointment with the film was that they left out the hilarious and tragic character of Annie, from the 'guest' chapter about Felix, but I completely get why they did.

Well, it's time to finish sprucing up the home for the weekend. I will soon share my review of Map Stories by Francisca Mattéoli, which I meant to do before Christmas, and I have a few coffee table books in sight.

Springtime on the patio

The Scottish spring kept us waiting until two days ago when it arrived in all its glory, sunny and warm. The patio was swept, the garden table scrubbed and the wicker chairs brought outside. It was time for our first al fresco dining this season. These last days have been heavenly, mainly spent on the patio under a cherry tree in full bloom. That's where I am at this moment, with a cup of coffee, books and magazines. In a recent blog post the tree was getting ready to bloom and then one morning I saw it through our son's bedroom window and it felt as if it had exploded. Sublime!

These days I'm reading The Great Railway Bazaar: By Train Through Asia by American novelist and travel writer Paul Theroux. It's his first travelogue, first published in 1975. I had meant to read Dark Star Safari: Overland from Cairo to Cape Town but then I thought it best to read his travel books in chronological order - perhaps a foolish decision on my part with the latter being his twelfth! In The Great Railway Bazaar we travel with Theroux by rail through Asia, starting with the Direct-Orient Express from Paris to Istanbul. His style is wonderful and witty. He had me cracking up at regular intervals and frequently quoting him in my notebook. Before the end of chapter two I had realised that I would have to put my notebook aside if I were to finish the book before Christmas.

Speaking of Istanbul. I'm virtually on my way there from China, with the help of historian Sam Willis and the BBC Player. On BBC Four they are showing The Silk Road, where Willis takes us through Central Asia to Istanbul and Venice. On the programme's website you can view a photo diary of his journey. In the latest episode he was on Registan Square in the ancient city of Samarkand, in Uzbekistan, where he met craftsmen making tiles used for the restoration of the Bibi Khanum Mosque. It was fascinating. In the city of Khiva, farther west, he sat down with his guide to enjoy a meal in gorgeously decorated kitchenware. Even the flatbread had a pattern!

I don't post my Instagram images on my blog but today I had to make an exception, to preserve a precious moment. Yesterday I took the photo below with my tablet, just when my daughter and I were about to sit down to enjoy our lunch - a long lunch on the patio (she's studying at home these days; taking her final exams). It pictured the mood perfectly. I love how overexposed it looks and how there seems to be a blank space beyond the patio, instead of the ivy-covered garden wall.

Have a wonderful day!

Our lunch table (from my Instagram account, taken yesterday)

Dora Carrington and Lytton Strachey

This setting is starting to look familiar; me, sitting on a cushion on the floor surrounded with books (that's Vassily Kandisky's Capricious Forms, 1937, on the page) and magazines, sometimes with a film or a drama series in the player. Only the cup of coffee is missing. On Netflix they have added The Honourable Woman, a gripping BBC mini series that I enjoyed watching again. The cast is great but for me Stephen Rea stands out. You will also find there a favourite of mine, the First World War drama Testament of Youth (2014), starring Alicia Vikander, based on Vera Brittain's memoir with the same name. Its set design is gorgeous; the costumes too. One of my own DVDs that I have been watching is Carrington (1995), about the interesting relationship between artist Dora Carrington (1893-1932) and writer Lytton Strachey (1880-1932).

Carrington and Strachey, played by Emma Thompson and Jonathan Pryce, belonged to the Bloomsbury group. Strachey was gay but he and Carrington had a special relationship and set up a home together. (If you visit the National Portrait Gallery in London you can view Carrington's portrait of Strachey.) Their story is certainly a love story, but of a different kind, with a tragic ending. Carrington took her own life following Strachey's death from cancer. Thompson is wonderful in her role but Strachey's wittiness helps Pryce steal the show. Penelope Wilton (Isobel Crawley in Downton Abbey) as Lady Ottoline Morrell is also a scene-stealer. She is simply fabulous. In everything she does.

I am constantly adding books to my reading list and Strachey is on it. I want to read Lytton Strachey: The New Biography by Michael Holroyd and also The Letters of Lytton Strachey, edited by Paul Levy. I just haven't decided which one to read first. Have you read them?

Iznik pottery | Pear muffins

There are a few things to be happy for this September. A new coffee house in the next village pleasantly surprised me with stylish interior design: rustic style meets industrial. I'm finding an excuse to bicycle to the post office more often only to sit down with a book and a latte before heading back home. Then there is a feature on Iznik pottery in the latest The World of Interiors issue with mesmerising motifs and colours. Downton Abbey is back with an interesting storyline and gorgeous costume design. Did you notice Lady Mary's blue kimono-style robe? What else? The heavenly scent of pear muffins baking in the oven. The little things ...

Let us start with that feature in the October issue of The World of Interiors, where art historian John Carswell reviews the catalogue The Ömer Koç Iznik Collection by Hülya Bilgi (600 pages, weighs 5 kilos, sold by John Sandoe Books). It shows the Iznik pottery collection of the Koç family, the wealthiest in Turkey. In his interesting review, Carswell briefly tells the story of the Iznik pottery industry from the beginning of the 15th century until its end 300 years later. In the old days, the formerly Byzantine town Iznik, 100 km south-east of Istanbul, flourished because of its position on the main trade route across Anatolia (Asia Minor) from the East. Today it's a 'sleepy little town' but in the late 13th c. it was 'one of the first centres occupied by the Ottoman dynasty'.

The images accompanying the article show fascinating motifs on tiles, jugs and dishes, painted in vivid colours. According to Carswell, the hallmarks of Iznik design were cobalt blue, turquoise, manganese purple, olive green and red. 'The designs combine purely Turkish motifs with elements transposed from imported Chinese blue-and-white porcelain' and he adds later that '[w]e have no clue why they chose a specific set of motifs and combined them in such a distinctive and particular way.'

If you happen to be travelling to Turkey you may want to visit the Topkapi Palace in Istanbul, to enjoy Iznik tiles. The aforementioned catalogue isn't within my current book-budget but for those interested I found two less pricy books online that I would like to have a look at and perhaps offer a permanent place on my coffee table: Iznik Pottery and Tiles: In the Calouste Gulbenkian Collection by Maria d'Orey Capucho and Iznik: The Artistry of Ottoman Ceramics by Walter B. Denny.

I'm not quite done with patterns. Series 6 of Downton Abbey is upon us and I am head-over-heels in love with Lady Mary's blue kimono style robe that Michelle Dockery wore gracefully in a few scenes in the first episode. I tried to find images of it online to see the pattern in detail, but I had no luck so I just paused a scene on the ITV Player and snapped photos of my tablet (please excuse the poor quality).

I don't know whether the robe/kimono is vintage or especially designed for the show but I love its cut and colour. I think costume designer Anna Robbins is doing a great job with displaying the style of the 1920s. I have to admit that the exhausting plots of the last Downton Abbey series almost made me give up on the show but I'm glad I gave it a chance on Sunday. That first episode was promising ... at least the costumes.

Spotted in these images: Benaki wallpaper sample in blue mink (LW 198381) by Lewis & Wood
and Wild Thing fabric sample in copper cobalt (LW 188335)

October is approaching and autumn is just around the corner. It's time to embrace the season and turn the pears into muffins. You should have seen my children's happy faces the other day when these were waiting for them after school.

These muffins are moderately sugary and stuffed with pears. Someone asked me recently why I use gluten-free baking powder when I bake with flour containing gluten. The simple reason is that the gluten-free baking powder from Doves Farm is my favourite. I don't like regular baking powder, which always seems to have an annoying aftertaste (use 50% less in the recipe if using regular). A note on choosing between the buttermilk and pureed pears for the wet mixture: It depends on whether the pears I use are juicy or slightly firm. If they are firm I like using pureed pears (I buy Hipp Organic jars in the baby food section), which give the muffins a richer pear taste. If using juicy and sweet pears I make my own buttermilk with milk and lemon juice (see tip below). American readers please note that 1 cup of flour is about 125-135 grams, which means there are about 2 cups in the recipe, depending on the type you use.

PEAR MUFFINS

3 medium-sized pears
1 large egg, free-range
75 g organic unrefined cane sugar (¼ cup)
1-1½ tablespoons honey (or pure maple syrup)
1½ tablespoons coconut oil
60 ml buttermilk or organic pureed pears (¼ cup)
200 g white spelt flour (or organic plain flour)
50 g wholemeal spelt flour
2½ teaspoons baking powder, gluten-free
¼ teaspoon fine sea/Himalayan salt
½ teaspoon ground cardamom
¼ teaspoon ground nutmeg
optional: a pinch of ground cloves

Peel and core the pears before chopping them finely. Put them aside.

Whisk together the egg, sugar, honey, buttermilk/pureed pears, and coconut oil in a bowl (if the coconut oil is solid place the closed jar in a bowl of hot water before use). If you are making home-made buttermilk let it sit in the measuring cup for a few minutes and whisk it in when it has thickened.

Measure the spelt flour, baking powder, salt and spices into another bowl.

Fold the wet mixture gently into the dry one with a spoon or a spatula and then gently stir in the finely diced pears. At first the batter may appear dry but the pears will add moisture.

Lightly grease 12 silicone muffin cups with coconut oil, spoon the batter into them and place the cups in a muffin tin. Bake at 200°C/400°F (180°C fan oven) for 22-25 minutes. When the muffins are ready, wait for a few minutes before removing them from the silicone cups and then place them on a wire cooling rack.

Uppskrift á íslensku.

If you rather want to use buttermilk instead of pureed pears, it's very easy to make your own. Pour 60 ml (¼ cup) of milk into a measuring cup and add to it 1 teaspoon of freshly squeezed lemon juice. Stir gently and let it sit for a few minutes until it has thickened.

BBC's Life in Squares: The Bloomsbury group

Did you watch the miniseries Life in Squares on BBC? It was introduced as a three-part drama about the relationship between English painter Vanessa Bell and her sister, writer Virginia Woolf. To me it felt more like the story of Vanessa and artist Duncan Grant's relationship. Not that I'm complaining, I thoroughly enjoyed the series and its beautiful set design and costumes. Actress Phoebe Fox plays the younger Vanessa and Eve Best the older. I hadn't seen Fox in anything before and was very impressed with her performance; she fit well into my idea of Vanessa. James Norton is memorable in the role of younger Duncan (I first saw him as Tommy in Happy Valley) and so is Rupert Penry-Jones in that of the older. In fact, the entire cast is wonderful, an assembly of fine British actors who give great performances and bring to life on screen the famous avant-garde Bloomsbury group and its bohemian lifestyle, with the help of screenwriter Amanda Coe and Swedish director Simon Kaijser.

The series is still available on the BBC iPlayer but will soon be released on DVD. If you haven't already watched it I have to warn you about the first episode. A lot of material is crammed into it - love affairs and deaths - that will make much more sense to those already familiar with the individuals of the Bloomsbury circle. It's my personal opinion that there should have been four episodes instead of three to better introduce the characters. In episode 2 the storytelling becomes much more flowing and easier to follow.

Maybe it's a cliché to call the lifestyle of the Bloomsbury group bohemian, as I did above, but the mise en scène certainly is. Think paintings, art supplies, desks, books, letters, etc. During the World War I, Vanessa Bell set up a home in the Charleston House in Sussex, where the main part of the Life in Squares takes place. You will find beautiful images of its artistic interiors on the website of House & Garden.

For me the timing of the series is interesting because in the beginning of this summer I picked up Virginia Woolf's To the Lighthouse, which I tend to read in summertime. During the reading I started thinking about the sisters, watched The Hours (2002) for the hundredth time, and pre-ordered the paperback edition of Vanessa Bell by Frances Spalding. I realised my focus had always been on Virginia and her story, and I didn't know enough about Vanessa. The series has now given me a better idea and I'm even more eager to receive the biography in the mail.

The World of Interiors, September 2014, p. 146

I have what I can only call a longstanding infatuation with Virginia Woolf. I cannot remember when it started, and I cannot remember which of her work I read first. So much has been written about her life and if you are interested in her story I can recommend the book Moments Of Being: Autobiographical Writings. Then there is her nephew Quentin Bell's (son of Vanessa and Clive Bell) biography about her life from the year 1912 to 1941, Virginia Woolf: A Biography. Her husband Leonard Woolf edited her diaries and published them after her death (see A Writer's Diary: Being Extracts from the Diary of Virginia Woolf).

After watching Life in Squares I'm eager to go a little Bloomsbury-group crazy. I'm looking forward to reading the aforementioned biography of Vanessa Bell and then I would love to watch again Carrington (1995), starring two of my favourites, Emma Thompson as Dora Carrington and Jonathan Pryce as Lytton Strachey (see trailer). There is a film in the making by Dutch director Sacha Polak called Vita & Virginia, about Virginia's relationship with Vita Sackville-West. More to look forward to!